Everyone is saying that the professor is grinding the Pokémon into candy, but consider the following:
• The professor frantically running around with assistants, inspecting hundreds of thousands of pidgeys a day, getting bitten and screeched at while they try to figure out if this pidgey has been tagged yet so they release them back to track their migration
• Panicked interns trying to scoop the ekanses back into their tank because theyre freaking out the rattatas
• Three caterpies climbed into a vent and evolved into metapods that are too far in to reach so six underpaid college students are trying to dismantle ductwork
• Theres a big door marked “KEEP OUT” because a dozen oddish evolved into a squad of Vileplumes and until they stop releasing stun spores the entire room is just off limits
• Hundreds of researchers running on red bull and determination trying to tag and examine all the Pokemon but having to turn off the machine every once in a while to the discontent of trainers who are all getting a “Sorry, the servers are currently down” message at LEAST twice a day
• “GPS not found” flashes while returning a big group and suddenly Florida has been gifted 6,000 mankeys right in the middle of Epcot
• Someone in the back room up to their waist in stale dog treats with a bunch of little stamps. They sigh deeply at how gullible Pokemon trainers are that they think these things actually do anything other than excite the Pokemon so much they evolve
• Actual science professor surrounded by chaos and interns and a budget just too small
Pokedexes have always been biological survey equipment, and this? Right here? Is largely how actual biology surveys work- you catch and release LARGE numbers of the species you’re studying, as large as you can afford, sometimes keeping them in the lab for observation first.
Also if they were running on the average funding of a US university/public bio lab, this would explain… basically everything about the app.
It Also explains why the professor is like HERES SOME POKEBALLS CATCH EM HERES SOME TEAMS FOR FRIENDLY COMPETITION GOGOGO and then vanishes. If he’s running a whole survey on his own he’s probably running on sheer determination and sleeping on his office couch.
If his office couch is even visible anymore.
Tag: it got better
I wonder if, in superhero universes, the villains ever get contacted by those “Make a Wish Foundation” and similar people.
I mean, the heroes do, of course they do, kids who want to meet Spiderman or Superman or get to be carried by the Flash as he runs through Central City for just thirty seconds.
But surely there are also the kids, who – because they are kids and sometimes kids are just weird – decide that what they really, really want is to meet a supervillain. Because he’s scary or she’s awesome or that freeze ray is just really, really cool, you know?
Oh, man, that would absolutely be a thing. The heroes would be so weirded out by it. The villains with codes of ethics would totally band together to force the villains without one (should they be the one requested) to do their part for the cause.
But imagine the person who has to track down the villains and organise everything?
Like, the first time it happens, no one actually thinks it’s possible, but one of the newbies volunteers to at least try. They get lucky, the kid wants to meet one of the villains who is well known to have a personal code of ethics (eg one of the rogues), and it takes them weeks to track the villain down to this one bar they’ve been seen at a few times, plus a week of staking out said bar, but they finally find them.
So they approach the villain, very politely introduce themselves and explain the situation, finishing with an assurance that, should the villain agree, no law enforcement or heroes will be informed of the meeting.
The villain, assuming it’s a joke, laughs in their face.
At this point, the poor volunteer, who has giving up weeks of their time and no small amount of effort to track down this villain, all so a sweet little girl can meet the person who somehow inspired them, well, at this point the employee sees red.
They explode, yelling at this villain about the little girl who, for some unknown reason, absolutely loved them, had a hand-made stuffed toy of them and was inspired by their struggle to keeping fighting her own and wasn’t the villain supposed to have ethics? The entire bar is witness to this big bad villain getting scolded by some bookish nobody a foot shorter than them.
When the volunteer is done, the villain calmly knocks back their drink, grips the volunteers shoulder and drags them outside. The bar’s patrons assume that person will never be seen again, the volunteer included. But once they’re outside, the villain apologises for their assumption, asks for the kid’s details so they can drop by in the near future, not saying when for obvious reasons. They also give the very relieved volunteer a phone number to call if someone asks for them again.
A week later, the little girl’s room is covered in villain merchandise, several expensive and clearly stolen gifts and she is happily clutching a stack of signed polaroids of her and the villain.
The next time a kid asks to meet a villain, guess who gets that assignment?
Turns out, the first villain was quite touched by the experience of meeting their little fan, and word has gotten around. The second villain happily agrees when they realise it’s the same volunteer who asked the other guy. Unfortunately, one of the heroes sees the villain entering the kid’s hospital and obviously assumes the worst. They rush in, ready to drag the villain out, but the volunteer stands in their way. The hero spends five minutes getting scolded for trying to stop the villain from actually doing a good thing and almost ruining the kid’s wish. The volunteer gets a reputation among villains as someone who can not only be trusted with personal contact numbers but who will do everything they can to keep law enforcement away during their visits.
The volunteer has a phonebook written in cypher of all the villain’s phone numbers, with asterixes next to the ones to call if any other villains give them trouble.
Around the office, they gain the unofficial job title of The Villain Wrangler.
The heroes are genuinely flabbergasted by The Villain Wrangler. At first, some of the heroes try to reason with them.
Heroes: “Can’t you, just, give us their contact details? They’ll never even have to know it was you.”
The Villain Wrangler: “Yeah sure, <rollseyes> because all these evil geniuses could never possibly figure out that it’s me who happens to be the common thread in the sudden mass arrests. Look man, even if it wouldn’t get me killed, it would disappoint the kids. You wouldn’t want to disappoint the kids would you?”
Heroes: “… no~ but…”
The Villain Wrangler: “Exactly.”
Eventually, one of the anti-hero types gets frustrated, and decides to take a stand. They kidnap the Villain Wrangler and demand that they give up the contents of the little black book of Villains, or suffer the consequences. It’s For the Greater Good, the anti-hero insists as they tie the Villain Wrangler to a pillar.
The Villain Wrangler: “You complete idiot, put me back before someone figures out that I’m missing.”
Anti-hero: “…excuse me?”
The Villain Wrangler: “Ugh, do I have to spell this out for you? Do you actually want your secret base to be wiped off the map? With us in it? Sugarsticks, how long has it been? If they get suspicious, they check in, and then if I miss a check-in, they tend to come barging into wherever I am just to prove that they can, even if they figure out that they’re not being threatened by proxy. Suffice to say, Auntie Muriel really regretted throwing my phone into the pool when she strenuously objected to me answering it during family time. If they think for even one moment that I’ve given them up, they won’t hesitate to obliterate both of us from their potential misery. You do know some of the people in my book have like missiles and djinni and elemental forces at their disposal, right?”
Anti-hero: “Wait, what? I thought they trusted you?!”
The Villain Wrangler: “Trust is such a strong word!”
Villain: “Indeed.”
Anti-hero: “Wait, wha-” <slumps over, dart sticking out of neck>
The Villain Wrangler: “Thanks. I thought they were going to hurt me.”
Villain: “You did well. You kept them distracted, and gave us time to follow your signal.” <cuts Villain Wrangler free>
The Villain Wrangler: <rubbing circulation back into limbs> “Yeah well, you know me, I do whatever I have to. So I’ll see you Wednesday at four at St Martha’s? I’ve got an 8yo burns unit patient recovering from her latest batch of skin grafts who could really use a pep talk.”
Villain: “… of course. Yes… I… yes.”
The Villain Wrangler: “I just think you could really reach her, you know?”
Villain: <unconsciously runs fingers over mask> “I… yes, but, what should I say?”
The Villain Wrangler: “Whatever advice you think you could have used the most just after.”
Villain: <hoists Anti-hero over shoulder almost absently> “….yes.”
The Villain Wrangler wasn’t lying to the Anti-hero. They know that the more ruthless villains would not hesitate if they thought for one second that the Anti-hero would betray them.
But this is not the first time the Villain Wrangler has gone to extreme lengths to protect their identities.
Trust is a strong word. The Villain Wrangler earned it, and is terrified by what it could mean.
My first official deadpool headcanon is this. This this this.
Okay but this whole concept actually makes a lot of sense, because villains are a lot more likely to be disfigured/disabled/use adaptive devices (bc ableist tropes), so of course, say, a child amputee is going to be more interested in the villain with a robot arm who almost destroyed New York than the heroes that took him down.
Also, imagine one of the kids gets better, and a few years down the line becomes a villain themself, except their crimes are things like smuggling chemo drugs across the border for families that can’t afford treatment, or stealing from corrupt businessmen to make donations to underfunded hospitals (idk this turned into a Leverage AU or something) and every time the heroes encounter her, they’re like “oh no. she’s getting away. curses. welp, nothing we can do.” Though it isn’t that she can’t take them on; bc of course once the villain from way back when found out what she was up to, he started helping/training her.
“I thought they just hired someone to dress up and pretend to be you,” she says, amazed, when he reveals himself. “I didn’t think they actually got the real you!”
Every year the Villain Wrangler gets a very expensive gift basket from the pair.
and for the kids who don’t get better the villains are there too, they show up to every funeral, they bear too small coffins on their shoulders and the heroes stand aside
they are fierce with grieving families assuring them that their child will not be forgotten, and they don’t balk at negative emotions, they don’t tell people to be strong or “celebrate their child’s life,” because these parents have every right to their grief and anger
and the lost children are never forgotten. flowers appear on graves during birthdays and anniversaries, heroes find pictures of those kids and they carefully take them down and ensure they’re delivered to the villain’s cell, and a few villains can be seen with friendship bracelets wrapped around their wrists the cops have learned not to try and take them off
And then one day, one of the evil geniuses who happens to specialise in inducing bizarre genetic mutations meets a young fan who was born with a rare genetic disorder that is slowly killing them, and realises that they can help.
Another, who created their own exosuit, talks to a young fan and suddenly understands how much the technology that they have built for themselves could revolutionise quality of life for people with muscular dystrophy, or paraplegia, or other disorders that confine people to wheelchairs with little mobility.
A third thinks of a way that their nanobots could be used to detect and remove cancer cells when their fan, who had been in remission, writes to say that the doctors have found a new metastasizing tumour.
Then shortly after, an evil genius specialising in cloning is contacted by an old colleague asking if a suitable heart couldn’t be grown for their young fan with a congenital heart condition who needs a donor.
Suddenly, a pattern of villains offering (and marketing) their insights and resources to improve medical science starts to arise. Many who had previously been operating on society’s fringes are shocked to receive public accolades, research grants and job offers from major companies because of their work.
A grassroots movement arises advocating for imprisoned villains with appropriate qualifications and/or experience to have access to resources to conduct research for the public good. The Second Chance Rehabilitation Project launches.
(It is an open secret that only people who have been vetted by the Villain Wrangler are allowed to join, because the Villain Wrangler has by now a meticulously set up method and intelligence network to run background checks and character references through ensure that none of the children wishing to meet their role models get hurt.)
Being able to say that one is involved with the Project begins to look really good in parole hearings. The Villains involved perform their own quality checks on one another, because if one of their kids got hurt, then all of their kids could potentially lose out, and the ones that are serious about the Project are not having that. (Also, the ability to collaborate with other geniuses is the most interesting thing to happen to most of them since losing to various heroes, and most consider the intellectual stimulation to be worth putting up with the ridiculous egoes and inevitable personality clashes that arise.)
Reformed Villains come out of the woodwork to advocate about better mental healthcare, and support systems. Savvy universities and private labs quietly take their advice, setting up better mental health supports and laboratory safety standards to prevent the Brain Drain caused by losing their less stable scientists to the Costumes.
The Villain Wrangler watches all of this develop with a smile.
Their plan succeeded beyond their wildest dreams.
Apparently my director went to see a production of West Side Story a few years ago, and the guy playing Chino forgot his gun before coming out for his final scene. Once it got to the big scene where he is supposed to shoot Tony, he screeched “Poison Boots” and kicked the actor playing Tony until he went down. The girl playing Maria then had to jerk the shoe off of Chino’s foot, and had to do the gunshot scene asking “How many kicks Chino? How many kicks, and one kick left for me”.
There should be a blog dedicated to theatrical urban legends. Like that opening weekend of Dracula where Dracula (still hungover) vomited all over the audience during the first stage direction that everyone has a friend of a friend that worked on the show and was there.
or the one where the bridge never came out for Javert’s suicide and so he just pretended to stab himself and then lay there until the lights went out
best story i heard was when a friend of mine saw a show where juliet forgot to bring the dagger out on stage so she just ripped the squib out of her chest and blood squirted everywhere
During a passion play a friend of my brother was supposedly in, one of the roman soldiers who was supposed to stab jesus on the cross and accidentally grabbed the wrong spear- he was supposed to grab one with a fake tip, but instead he grabbed one with an actual metal tip and, well
Jesus screamed “JESUS CHRIST YOU STABBED ME”.
Since that Jesus had to be taken down due to a bad case of stab-itis, the backup Jesus came in, but he weighed significantly less than the original Jesus- which would have been fine, except that at the end the cross was supposed to ascend upwards with Jesus on it, and the weights hadn’t been adjusted.
So Jesus, instead, ROCKETED UP into heaven (or, just, above the stage).
This is wild from start to finish
I was in Peter Pan once and one night at a performance, the adhesive holding our Hook’s mustache on was wearing off. It was near the end with a big fight scene and when he got attacked, he let his mustache fall and went “YOU RIPPED MY MUSTACHE OFF!” in a scandalized tone and it added a new note of hilarity to the whole scene (which was supposed to be funny anyway)
In my seventh grade play, which was a midsummer night’s dream, Thisbe didn’t have a sword so she stabbed herself with a coathanger
My junior year we were doing Romeo and Juliet and after Juliet poisons herself it was supposed to go dark and she’d get off the stage. well the light crew accidentally turned them back on and Juliet who was sitting up slammed back down on the wooden bed with a loud bang. To which my theater teacher says into the com “zombie Juliet” and everyone who heard that had to keep as quiet as possible while our eyes were filling with tears.
i attended my county’s performing arts high school majoring in vocal studies, (mostly geared towards musical theater and opera styles) and once a year we got a field trip to new york (we were in jersey, so it’s not exactly far). we would do one touristy thing, an actor’s workshop with friends of our teachers working in various performing industries in nyc, and then see a show.
my first year doing this, our industry contacts were 1 actor, 1 casting director, and 1 producer to get different aspects of the business, and they all gave us amazing advice and told fantastic stories. the actor in question was Zazu on Broadway’s The Lion King for several years, and told the best story by far.
in The Lion King, there are only two pieces of pre-recorded noise in the whole show. one, when Pumbaa does a MASSIVE fart while fighting the hyenas, and the other being Mufasa saying REMEMBERRRRRR as Simba climbs Pride Rock. the actor told us while struggling not to laugh that, during one night’s performance, someone forgot to flip the tape of these pre-recorded noises.
so, at the end of the show, the great climax where Simba finally accepts his place in the Circle of Life, the heavens parted and-
PFFFFFFFFFRRRRRBTFTBTBFTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT
everyone froze. and then all ran off stage positively HOWLING with laughter.
the lesson: sometimes there are fuck ups you just can’t recover from.
Apparently my director went to see a production of West Side Story a few years ago, and the guy playing Chino forgot his gun before coming out for his final scene. Once it got to the big scene where he is supposed to shoot Tony, he screeched “Poison Boots” and kicked the actor playing Tony until he went down. The girl playing Maria then had to jerk the shoe off of Chino’s foot, and had to do the gunshot scene asking “How many kicks Chino? How many kicks, and one kick left for me”.
There should be a blog dedicated to theatrical urban legends. Like that opening weekend of Dracula where Dracula (still hungover) vomited all over the audience during the first stage direction that everyone has a friend of a friend that worked on the show and was there.
or the one where the bridge never came out for Javert’s suicide and so he just pretended to stab himself and then lay there until the lights went out
best story i heard was when a friend of mine saw a show where juliet forgot to bring the dagger out on stage so she just ripped the squib out of her chest and blood squirted everywhere
During a passion play a friend of my brother was supposedly in, one of the roman soldiers who was supposed to stab jesus on the cross and accidentally grabbed the wrong spear- he was supposed to grab one with a fake tip, but instead he grabbed one with an actual metal tip and, well
Jesus screamed “JESUS CHRIST YOU STABBED ME”.
Since that Jesus had to be taken down due to a bad case of stab-itis, the backup Jesus came in, but he weighed significantly less than the original Jesus- which would have been fine, except that at the end the cross was supposed to ascend upwards with Jesus on it, and the weights hadn’t been adjusted.
So Jesus, instead, ROCKETED UP into heaven (or, just, above the stage).
This is wild from start to finish
No but if we’re talking about zany theatre happenings then let me share my favourite theatre story of all time from ‘The Ultimate Book Of Heroic Failures’
It was a perfomrance of Spotini’s La Vestale at the Wexford Opera Festival in 1979, and the stage was a sloping one. Which got covered with Fornica, which not only looked like marble, but made the stage slippery as heck and “apparently” a cleaner was really inscensed by this and cleaned and polished it to a fine shine.
Which lead to this happening:
“The curtain rose. Making a magnificent entrance, the Roman genereal Licino strode onto the stage, fell flat on his back and slithered towards the footlights. Singing throughout, he got to his feet. After several plucky attempts to walk back upstage, he decided to stay where he was, no doubt calculating that the next character to enter, his friend Cinna, would be shortly joining him near too footlights anyway. On came Cinna, arms waving, who hurtled down the stage and crashed into his chum at speed. The script demands they ‘embrace in a friendly greeting’ which they amply fulfilled, being locked in each other’s arms as they were propelled towards the orchestra pit.
Averting disaster at the last second, they worked their way gingerly along the edge of the stage ‘like mountaineers seeking a route around an unbridgeable crevasse’ according to opera critic Bernard Levin. […] Still singing and clutching onto each other, the pair decided to make for a pillar bearing the sacred vestal flame that was three feet further up and embedded in the stage floor.”
And then the chorus came onstage, and also ended up heading for the (rather crowded) fixed pillar, leading to a ‘daisy chain of mutual support’ composed of vestal virgins, centurions, and gladiators.
When the heroine, Giulia, came onstage, she apprently skated into the wings and kicked her shoes off, and finding this no better, went back off and removed her tights.
And to top it all off “The act ends with extended triumphal dances which have rarely been more memorable.”
In college I had the most excellent fortune to attend a performance of a new script. One of the scenes was set in an old cafe/restaurant, run by a Greek Cypriot guy who was talking to one of his staff, a kid who I believe wanted to leave early for a date or some such.
It was a black box theatre, and all the definition of space was done by the lighting, so there were a huge number of lamps hanging with various barn doors (the flaps that control the light width/breadth) and a lot of gels (frames of coloured gel that tints the light) in all of them. When you hang a lamp, safety rules mean that even when they are clamped in place you MUST safety chain the lamp and any other parts to the lighting rig.
So there he is, this Greek Cypriot in Ireland character, as loud and brash as the day is long, complaining about the Irish workers, and how little work ethic they have but he finally lets the younger guy off. Just as the younger guy and his date turn to “leave” the lighted space, a barn door and gel frame crash to the ground, inches from the restaurateur character’s toes.
Clearly someone forgot their safety manual.
Obviously all eye are on this, and the actor takes half a beat of looking at the frame, throws his kitchen-towel over his shoulder and his hands in the air and shouts “This place is going to shit!” before making his own exit.
This Is a Backup Blog 