Baroness Lubinska who presided over the famous duel between Princess Pauline Metternich and the Countess Kielmannsegg in 1892, insisted that the duelists remove their clothing above their waists to avoid infection in the event that a sword pushed clothing into the wound it caused. Being a doctor, the baroness had seen many instances of septic infection in soldiers for this very reason throughout her years of medical training.
“The cause of the duel is reputed to be an argument over arrangements for the Vienna Musical and Theatrical Exhibition.” – I like these ladies.
I arrive at the duel
sword: sharpened
sepsis: prevented
tits: out
I AM FORCIBLY EJECTED FROM THE VIENNA MUSICAL AND THEATRICAL EXHIBITION
I had a dream a group of expert investigators were called in to dismantle a crime ring. Only, the investigators were actually a LARP group who thought the assignment was a roleplay.
My job was to prevent the LARPers from finding out it was for real, and to prevent law enforcement from finding out they were a LARP group.
When magic starts to return to the modern world, barely anyone notices. It doesn’t look anything like what we imagine. People don’t suddenly start developing magic powers, casting spells, or turning into elves and dwarves. In fact, people don’t really change at all, not at first. It turns out that the magic isn’t even here for us. It’s here for what we’ve built.
The change is slow, and subtle, and strange, as the magic works its way into our institutions. You mail letters to dead relatives, and the post office starts delivering their replies. Late-night bus routes stop at places never seen on any atlas. Libraries suddenly include subterranean archives where you can look anything you’ve ever forgotten, from the names of your favorite childhood books to the precise flavor of your first-ever chocolate chip cookie.
The people working at these places take the changes in stride. The letters from the dead just show up every morning, sorted and stamped and ready for delivery, so why not carry them? Bus drivers follow the maps they’re given without trouble, and learn to accept even small gold coins as more than adequate fare. Electricians get used to seeing warding symbols in circuit diagrams, while clerks at the DMV find a stack of forms for registering ghostly steeds as personal vehicles, and sigh in relief at finally having that particular bureaucratic headache solved. The firefighters are shocked the first time they see a giant of living water burst out from a hydrant, but after it rescues several of them from a burning building, they decide not to ask questions. They tell their stories to others, though, and soon word of the changes is spreading.
There’s no single moment of realization where everyone discovers that magic is real; the knowledge just creeps into day to day life a bit at a time, and society adapts. Cyber-safety programs teach people to never accept a file from the electric fairies without sharing one in return, and to never accept their Terms and Conditions without searching for the subsection on Souls, Forfeiture Thereof. Students leave offerings of coffee and boxed wine to petition the School Spirit for lower tuition or exam deferrals. Nurses learn the hours when Death stalks the hospital hallways, and keep bedside vigils in the children’s ward. They bring board games and cards for when the reaper is feeling playful, and well-worn baseball bats for when he isn’t.
There are problems, of course, like the vicious monsters of blood and fire spawned from age-old hate groups, or infestations of the writing many-mouthed worms that literally feed on governmental corruption, but really, they were already there before the change. Magic only elaborates on what we’ve made, good or ill, manifesting the latent modern mythology underpinning our society. It doesn’t offer solutions to all of life’s problem, but for a few hurting people, guarded by the concrete arms of a neighborhood come to life to protect its community, or flying away on wings of copper wire and fiber-optic cable, it’s exactly the change they needed.
No word of a lie, Finn slays everyone at the Resistance base within two days. I’m not buying into the idea of Poe Dameron as international space fashion star – we all know he owns two sets of clothes, one of them his flight suit and one of them his officer khakis. (having said this he devotes an inhuman amount of time and effort to his hair. so. much. time. in. front. of. mirror. move dameron, Pava will say, we all have faces to fix come on move your butt)
Anyway. Anyway. Finn stunts on everyone. He’s lived his life in black and white armor – upon discovering colour, he embraces it with a zeal comparable to Rey’s newfound love of any and all food. Purple’s his favourite; but he likes gold as well; blue as the sky; green as a meadow. And textures! He gets together all random bits of fabric on the Resistance base – and let’s face it, the Resistance base is essentially a junkyard of random things from every corner of the galaxy, underfunded and scraping by – and with Rey’s help he knocks together the sort of wardrobe that any young fashionista would die for. He’s edgy. He’s cool. His clothing is loud and obnoxious and screams I chose this, I chose whatever I am! He kills all your faves and god damn, you are his witness.
And I’m not in the mood to write a full Animorph fic (last time I spent a ton of time & effort writing one I only got two comments so… JUST GONNA WRITE OUT THE IDEA)
If Rachel travels back in time:
on the night elfangor crashes, a big scary man scares the would-be animorphs off from the construction site
rachel doesnt want to admit it, but scaring the mini-them was kind of hilarious
when the yeerks arrive on-scene, they find blue andalite blood, but a lack of both andalite prince and blue box
there also isn’t any homeless dude in the construction site
(rachel isnt gonna just leave that dude to die)
elfangor was pressured into morphing into the mouse rachel brought with her, and then carried off
he would have refused but she told him point-blank that loren was alive and so was his son, and his son was suffering
the yeerks are super confused and destroy the ship and start a manhunt for elfangor
tobias’s uncle mysteriously stops acting terrible and gets his act together
even if he has to go to the bathroom a LOT MORE
tobias then acquires another cousin he never knew about, who is about his age and really weird. like. really weird.
loren makes a new friend who seems a little shy around her but very sweet. he tells her that his name is al, and he seems… familiar…
three andalite bandits find their battles harder, but they have more collective experience and a lot more behind the scenes information
every time jake gets close to joining the sharing, a bear attacks the meetings
jake is definitely getting a bear phobia
visser one goes mysteriously missing
marco starts getting weird postcards with supportive messages
the yeerks notice a new andalite bandit showing up in fights that knows all their sensitive locations
other-rachel moves in with her dad
every target rachel can remember them going after, she, eva, ax and elfangor attack on their own
cassie keeps seeing a mysterious older blond girl that reminds her of rachel at the Gardens, but never manages to talk to her
crayak keeps pausing time to tempt them into bullshit and she invents a lot of rude things to call him (elfangor is teaching her more alien languages, which helps)
the ellimist keeps pausing time and laughing a lot but does help rachel re-create the freed hork bajir eventually
jake makes the basketball team the second year he tries out
marco deals with his bestie being a jock by hitting on cheerleaders unsuccessfully
rachel finds david and noogies him. he never understands why this happened.
elfangor kills visser three when visser three tries to pretend to be aria
rachel blackmails the Chee to help her kidnaps all of the not-animorphs and their families, holograms being far too helpful in making sure none of them are missed. they all end up staying with the hork bajir
elfangor making a call to the andalites instead of ax does have the fringe benefit of getting andalites to come to earth quicker. the fact that rachel told him to get his message to the people of his homeworld and not the military
the war goes on and on, but more and more andalites filter in to help
anyone that suggests bio-weapons gets challenged to a fight by either elfangor or rachel
they dont agree to fight rachel but they end up doing so anyways
rachel takes a lot of pleasure in how relatively innocent her friends and her other self are.
elfangor and loren smooch a lot and tobias walks around with a face that says quite clearly that he doesn’t know what to do with a happy family life
It’s canon that hades and Persephone kept chickens. Not like, for eggs or anything. They kept house chickens in the underworld. Chickens living in the underworld with little feathers in diapers and u n d e r w o r l d c h i c k e n s
All of the blinds and curtains had been closed. Finn tried to turn on his living room light, and frowned when it didn’t work. He rocked the switch back and forth to no avail, squinting up at the ceiling.
Eyes started to glow in the far corner of the room.
He screeched and dropped his bag on the floor.
“… Bat… man…?” he asked finally. His answer was silence. “Are you… here about the show…? You’re here about the show. We’re — this is all above-the-board, legally speaking.”
Batman stood. At least, that was what Finn assumed happened. The eyes moved from eye level to significantly above that.
“Also legalities aside I think we’ve done a good job of being as respectful as we can within a satirical context,” he added hastily, backing toward the door. “And at this point it’s out of my hands so I couldn’t put a stop to production even if I wanted to. Which isn’t to say that you couldn’t find a way, because you’re Batman, it would just be really nice if you didn’t do that.”
“Convince me.”
It took him a minute to realize that Batman had spoken, to register that they were words in a specific order with a specific meaning. “… convince…? You want the elevator pitch?” Finn wasn’t getting a lot of useful feedback and he was trying really hard not to burst into fear tears and he didn’t understand how anyone could possibly jaywalk in Gotham.
He took a deep breath. “Right. The elevator pitch. I can do that, no problem, not a problem.” He clapped his hands together. “So it’s a show about, uh, Batman — it’s a show about you — not the real you, obviously, it’s — I’m just going to say ‘Batman’, I think you probably get that I mean Batman as an idea and not — anyway.” Finn cleared his throat, tried to swallow the lump in his way.
“The core of the idea is, uh, what if — what if Batman was just a guy. Some guy. No powers, none of, uh—” He flailed his arms into the darkness in an attempt to gesture at whichever part of it was Batman. “Just, you know, a guy. So our story is about, uh, he’s a guy named Johnny Butler — we wanted to name him Johann, you know, for Die Fledermaus, but that seemed a little on-the-nose so we went with Johnny — and he’s this blind guy, and he’s an inventor! He invents, uh, this thing, and it lets him echolocate and he can see all this stuff other people can’t see, and he makes this thing so he can fly, and, you know, other stuff. He lives in Gotham with all these crazy villains, so he decides he’s going to use his inventions to fight them! Because, uh. He can? And Robin is this child prodigy who can talk to birds, he’s sort of, he’s the Marty and Johnny is Doc, or like Penny to Inspector Gadget. That’s. That’s the basics, basically. Is that okay so far?”
“Johnny Butler.”
“Yeah! Yeah. It’s, uh, because of Johann? I already told you that. And how, you know, a batman was like a kind of valet, like a butler, so we were trying to do sort of a pun thing? There’s going to be a lot of puns. I mean, you probably saw the fake intro we made on YouTube? With the theme song? It’s all going to be like that, with the retro aesthetic and camp and the cheesy effects, we’re keeping all of that for the real show. I have this brother, my little brother, he’s really into Batman, uh, you, he collects articles and stuff, and he’s eight, and I wanted to make something that he could watch. So it’s going to be kind of a show for kids, like a funny show — not making fun of you! I can show you a script, if you want.”
“Show me.”
“Yes! Yes sir, absolutely, not a problem, sure.” He bent, and tried to dig through his bag in the dark. “I, uh — here, I think this is it.” He offered a thick stack of paper to the darkness, which took it.
“Rowsdower’s Revenge,” the shadow read.
“Wrong script!” Finn said, snatching the script back. “Sorry, sorry, ignore that, sorry. Here, this one, I think this is the one.” He handed off the other script. “I would turn on the light, but…”
Finn squinted, trying to make out a face in the dark. He would have thought that the light from those weird white eyes would have had more of an impact. But while there was definitely the pale lower half of a face, everything else was just a shape, darker than the rest of the room.
He could make out the sound of pages flipping. And another, different sound. A pen?
“Holy homicide, Batman.” It wasn’t quite a question.
“Yeah, it’s, uh, kind of like a catchphrase? Thing?”
“Batcomputer.”
“Yeah.”
“Bat-o-vision.”
“Y… yeah. It’s like — I mean, you have the batmobile and those batarangs — I don’t know if you actually call them that, but, uh. We thought, you know, wouldn’t it be funny if Batman just puts ‘bat’ in front of everything? As a joke.”
“Batman and Robin consult the giant lighted lucite map of Gotham City, parentheses, labeled.”
“Obviously you don’t actually go around putting labels on everything, it just, uh.” Trying to explain jokes to Batman was the most painful thing he had ever done in his entire life and he wanted to die.
“Johnny Butler is blind.”
“Right.”
“The actor isn’t blind.”
“He… is not.”
“Why.”
“He’s — casting is — that’s not really how we—”
“Fix it.”
“I. Okay.”
“King Tut.”
“We’re trying to get Rami Malek but he’s been pretty busy but I’ll make sure we get someone Egyptian because I can tell it’s important to you.”
“The theme song.”
“We can get a new one!”
“No.” Batman handed the script back, and Finn took it, hands shaking. “Robin likes it.”
“He does? The, the na-na-na-na-na—”
“Stop.”
Finn shut his mouth so fast his teeth clicked.
“I said Robin likes it.”
“Right.” He looked down at the script in his hands, or tried to. His eyes were adjusting, but still not enough. He brought the paper close to his face, squinting. Had Batman written notes on his script? It smelled like permanent marker. He could barely make out a few crossed out words. “You know, if Robin ever wanted to come by set after we start shooting, we could—”
The lights came on.
“Augh!” Finn shut his eyes, then blinked furiously. His apartment was empty and the window was open. He looked back down at the script, and flipped through it. The notes looked like they’d been left by a monk, taking a break from illuminating Bibles. They sat next to words crossed out and sometimes replaced, saying things like ‘mental illness is not a joke’ and ‘don’t use this word’ and ‘words with more plosives are inherently more humorous’. A note beside the description of Batman’s lair mentioned a carefully labeled ‘Historically Inaccurate But Well-Meaning Tyrannosaurus Rex’.
Finn hit the speed dial on his phone.
“Marco. Dude. You are not going to believe the notes I just got on this — okay, wait, first of all, we need to recast Batman. We need a blind guy. No, like a real blind guy. A tall one. Really tall. And Robin needs more screentime, we’ve got to curry favor with Robin. No, the real Robin. I have never been more serious. Making sure Robin likes this is going to be vital to not getting our asses kicked.”