aleksandrwilde:

dialupmodem:

grypwolf:

theonetruenators:

atotorakku:

lolsofunny:

if you’re about to die, might as well try.

YO

oh shit

he puts his hands up like he’s pleading and catches the guy completely off guard. i mean. he’s got a gun. guy’s on his knees. he feels totally safe and in control of the situation. then the guys hands are right next to the gun and he surprises him and immediately tilts the weapon up and away from him and yanks the arm down while thrusting his legs forward to kneecap the guy and manages to wrench the gun away

so shit now the second guy is on the ground with probably a broken knee and no gun and the first guy has the weapon and is fucking free and clear remember this me you need to remember this

Re blogging this because there is change this might save a life.

yeah guys!! go ahead and try this if you’re in a life or death situation even without any proper training what-so-ever..

*begins vigilant training*

grizandnorm:

Tuesday Tips – “Pick A Side”

To create appeal and clarity in your figure drawing (or any character drawing), try to simplify an overall side of the body and to keep the details (limbs sticking out, face profile, body compression) to the other side. Your posing will becoming much more dynamic and interesting to look at, creating an organic asymmetry to the overall silhouette of the body.
-Norm

thewellofastarael:

happylifewiththemachines:

danwasonfireonce:

gunslingerannie:

europeansdomusicalsbetter:

stockade:

You’re welcome

This is the most useful thing I’ve ever reblogged.

i used to think when people said my cousin twice removed that their cousin must’ve did some fucked up shit to get kicked out of the family twice

When I found this the first thing I thought was “now I can find out how Count Olaf is related to the Baudelaire children.”

Okay so these are the steps that I learned a while ago for this:

  1. Find the shared ancestors (or ancestor – if you only share one ()parent then add the prefix “half-“).
  2. a. Find yourself. The # of people between you and the ancestor is the highest prefix number for “cousin”.
    b. Find the relative. The # of people between them and the ancestor is the prefix for “cousin”, capped at the number in 2A.
  3. Find your relative’s generation. (It’s easy on this chart – anyone on the same line). The number of steps you are from that generation is the prefix for “-removed”.

So, if I share both great-great-grandparents with someone two generations below me, they are my third cousin twice-removed. And if I share one great-grandparent with someone a generation above me, they are my half-(first-)cousin once-removed.

medievalpoc:

Interactive Map: The History of Gender Diversity

This interactive map from PBS is a good starting point for people who would like to learn the history of gender diversity around the world. Although the information isn’t anything I would cite directly or take without a grain of salt, it’s a testament to the fact that gender categories are nowhere near as universal as many seem to believe they are. It also isn’t complete-there are many more peoples, cultures, and genders to explore beyond the map as well.

Related: Medievalpoc tagged “qpoc”

Using Real Psychology in Your Writing

thisisnotpsychology:


USING ARCHETYPES IN YOUR STORIES


Writing Better Romantic Relationships

This series looks at the Anima/Animus archetype, which is most often seen in romantic relationships, and how to use it to create more compelling romantic relationships, regardless of genre. Looks at what the anima and animus are, how they’re formed, and why fiction writers need to understand them. There’s also some and what makes love grow – and how happily ever afters really work.


Creating Better Antagonists


FORENSIC PSYCHOLOGY


archetypewriting.com

jumpingjacktrash:

nicerobotfriend:

i always see advice to artists from abled guys thats like “draw every day even on the days where you feel totally uninspired and like you cant even pick up a pencil” and i actually think that advice sucks and is terrible because some of us will spiral out of control into horrible depressive episodes if we force ourselves to draw on days where we feel terrible and end up with something less than spectacular so my advice to artists is “take breaks and love yourselves”

ok here’s advice from a disabled guy:

if you are living on a tight spoon budget, you have to make hard decisions about your priorities, and the world is a massive spoon vampire that is always trying to drain you of precious Can. there will be days — weeks — months — when the demands of simply staying alive, or other things that are more important to you, will not leave you enough spoons to make art.

and it is okay for other things to be more important to you! your health, your personal relationships, other hobbies/interests, etcetera. don’t guilt yourself for choosing something else over art. a lot of the really gung-ho advice comes from people who not only art for a living, they’re extremely focused by nature and have few other interests. but say you’re into drawing, and writing, and knitting, and hiking? that’s me right there and oh yeah also gardening and home maintenance, and i have pets, and i love my husband to bits and don’t want to skimp on spouse time, and fantrolls is great and i’m into minecraft and i play dnd — yeeeeah it’s not surprising that i haven’t drawn for months.

but you know what? in those months, i’ve adjusted to new medication, tried multiple treatments for my poor sick kitty, quit smoking — and a whole list of other stuff that is really quite important, and which i would not have thanked myself to skimp on.

what i’m getting at is, an abled person might be able to do all that and still draw on a schedule. a highly focused person might not even try to do most of those other things because drawing was so important to them. but doing things my way isn’t wrong, and doesn’t make me a ‘lazy artist’.

also? imma tell you a secret. you improve somewhat during breaks. it takes your brain time to process what you’ve learned by practicing, and if you’re constantly pushing and pushing, you don’t get that processing time. push a little, rest a little. you may notice that when you go back to arting after taking a break, you’re a little better than when you last drew. watch for it.

imaginariumgeographica:

1000-life-hacks:

This diagram could save someone’s life!

PLEASE DON’T DO THIS. This is not how to properly treat a bleeding victim. It gets dangerously close to a tourniquet which should ABSOLUTELY NOT BE USED IN FIRST AID.

If someone is bleeding remember the acronym RED (like the colour of blood, easy right?). Except backwards. 

D is for DIRECT PRESSURE

You want to apply pressure to the wound with a gauze pad or something similar. Remember to wear PERSONAL PROTECTIVE EQUIPMENT such as gloves.

E is for ELEVATION

Try to elevate the wound. This slows down bleeding without cutting off circulation which can be very dangerous. Be wary of any broken bones. 

R is for REST AND REASSURANCE

This means TREAT FOR SHOCK. Don’t know how to treat for shock? Basically you want to get the victim sitting or lying down, provide warmth, reassurance, loosen tight clothing and monitor vitals (breathing and pulse).

CALL 911 / 999 / whatever your emergency telephone number is if the bleeding is SEVERE or even if you are not sure how bad it is

Remember to tell the operator your LOCATION, the NATURE OF THE INCIDENT, and ANY OTHER RELEVANT INFORMATION.

If you need to bandage the wound, bind  OVER THE PAD (DO NOT remove the pad as this may undo any clotting that had begun). Bind TIGHTLY but DO NOT CUT OFF CIRCULATION. If the wound bleeds through DO NOT REMOVE the first bandage, simply bind again over top. 

tl;dr

DO NOT TREAT BLEEDING THIS WAY. DO NOT CUT OF CIRCULATION EVER. LEARN HOW TO DEAL WITH A BLEEDING VICTIM (AND ANY OTHER FIRST AID) AT THESE SITES:

http://www.redcross.ca/what-we-do/first-aid-and-cpr

http://www.sja.org.uk/sja/first-aid-advice.aspx

-Sincerely,

A lifeguard who is very concerned about misinformation surrounding First Aid